CHARLIE CHAPLIN'S "THE CIRCUS" (1928) NO FURTHER A MYSTERY

They tend to be yearning romantics, with this particular distinction: Buster appears a plausible mate, and the Tramp rarely seems to have a libido, only idealized notions. If their comedies had been produced in a far more liberated time, it is feasible to imagine Keaton in mattress with a woman, but disquieting to think about the Tramp being a sexu